VCUSD — VirtualCoin US Dollar

Getting a Legal USA Version

This section applies in the USA only.

In the USA, be sure your box has this hologram sticker:

Tamron 24-70mm f/2.8 VC G2. bigger.

If not, you got ripped off with a gray market version from another country. This is why I never buy anyplace other than from my . You just can’t take the chance of buying elsewhere, especially at any retail store, because non-USA versions have no warranty in the USA, and you won’t even be able to get firmware or service for it — even if you’re willing to pay out-of-pocket for it when you need it!

If a gray market version saves you $400 it may be worth it, but for $200 or less I wouldn’t risk having no warranty or support.

Always be sure to check your box while you can still return it, or just don’t buy from unapproved sources or at retail so you’ll be able to have your camera serviced and get free updated firmware as needed.

Get yours from the and you won’t have a problem, but if you take the risk of getting yours elsewhere, be sure to check everything while you still can return it.

VCUSD Synthetic Teknik Analizi

 

Kısaca öngörü özetlerini inceleyin — VC/USD Synthetic için mutlaka Al, Al, mutlaka Sat, Sat veya Nötr işaretleri. Hareketli ortalamalar, al/sat sinyalleri (basit ve 5,10,20,50,100 ve 200 üslü değerleri periyotlarında) ve bilinen tablo göstergeleri (RSI, Stochastics, StochRSI, MACD, ADX, CCI, ROC, Williams %R, Ultimate ve dahası) Al, Sat, Aşırı Alış, Aşırı Satış veya Nötr işaretleri aracılığıyla detaylı teknik analizlere ulaşın. Ayrıca, Standard, Fibonacci, Camarilla, Woodie’s and Demark’s seviyeleri için pivot noktaları da bulabilirsiniz. Tüm teknik çalışmaları farklı zaman dilimlerinde inceleyebilirsiniz.

Specifications

Name

Tamron 24-70mm f/2.8 VC G2. bigger.

Tamron calls this the Tamron SP 24-70mm f/2.8 Di VC USD G2:

    SP: Special Performance; Tamron has called most of their lenses this since at least the 1970s.

    Di: Works on digital cameras — so?

    VC: Vibration control (Image Stabilization).

    USD: Ultrasonic Silent Drive autofocus motor.

    G2: Tamron’s second 24-70/2.8 VC.

Also has:

    ∅82: 82mm filter thread.

Optics

17 elements in 12 groups.

2 LD extra-low dispersion elements, which help reduce secondary axial chromatic aberration.

3 molded glass aspherical elements.

1 Hybrid (glass/plastic) aspherical element.

2 high refractive-index elements.

Fluorine coating to resist dirt and smudges.

«Pumper» zoom; the front extends as zoomed longer.

Tamron 24-70mm f/2.8 VC G2. bigger.

9 rounded blades.

Stops down to f/22.

Focal Length

24~70mm.

When used on a Nikon DX camera, it sees the same angles of view as a 35~105mm lens sees when used on an FX or .

When used on a Canon APS-C camera, it sees the same angle of view as a 38~112 mm lens sees when used on a full-frame or

See also Crop Factor.

APS-C

60.3º ~ 22.3º diagonal.

Internal focus.

No external movement as focused, so no air or dust is sucked in.

Tamron 24-70mm f/2.8 VC G2. bigger.

Size

3.5″ maximum diameter × 4.3″ extension from flange.

88.4 mm maximum diameter × 108.5 mm extension from flange.

Canon

3.5″ maximum diameter × 4.4″ extension from flange.

88.4 mm maximum diameter × 111 mm extension from flange.

Weight

31.680 oz. (898.1g) actual measured weight, Nikon.

31.7 oz. (900 g) specified for Nikon.

31.9 oz. (905 g) specified for Canon.

Tamron 24-70mm f/2.8 VC G2. bigger.

Made in Japan.

Canon: AFA032C-700.

Nikon: AFA032N-700.

$1,199, April 2018.

Tamron 24-70mm f/2.8 VC G2. bigger.

Compared

Sure, if you have an extra thousand dollars to spend you can get the same thing from Nikon or Canon, but whoops, Canon’s best 24-70mm f/2.8 L II has no stabilization.

While I can see a little better sharpness in a lab in the corners wide open, it doesn’t matter. For real-world use as you can see, this Tamron lens takes exactly the same pictures. Colors and contrast and AF performance are the same.

See Is It Worth It. If you deserve the best and don’t worry about price, sure, get the Nikon or Canon lens. That’s what I own; I’m obviously very successful at what I do and my revenues are such that the price of lenses, which last me for a decade or more, don’t matter if they give me even the slightest competitive advantage. When I license an image it’s usually for more than the price of this lens; I’m not some blogger or YouTuber who just talks and has no portfolio to show for it; my two most recent clients are Merck Pharmaceuticals and McDonald’s. On the other hand, for people who shoot for fun and for whom the price of equipment does matter, this is certainly a more sane lens than Nikon’s extraordinary 24-70 VR.

See also Best 24-70mm Lenses Compared and my .

Compatibility

Caution

No camera maker authorizes Tamron to make lenses for their cameras, and no camera maker authorizes you to use this lens on their cameras. If it doesn’t work, talk to Tamron, not to Nikon or Canon.

While it seems very compatible, there is always the potential that something won’t work on your camera, especially in the future as newer camera models come out.

No worries, so long as you get yours from an you can return it for a full cash refund if you don’t love it or it doesn’t work on your camera.

Canon

It should work flawlessly on every Canon DSLR and every Canon 35mm autofocus (EOS) camera ever made since 1987.

It should work on , but only if you use the EOS-M adapter.

Nikon

It should work perfectly on all FX Nikons, and should work well on DX Nikon models introduced since about 2007.

I tried it on my D3 that I bought back in 2007, and everything works great, as well as on my 2018 D850.

This Tamron 24-70 has a new  which won’t work on camera models introduced before about 2007.

It won’t work properly on older DSLRs or any ; they won’t be able to work with the electronic diaphragm and will only shoot wide-open. If you don’t mind shooting wide-open, go ahead and shoot it on older cameras if you like. Even on a 1959 Nikon F you can focus and zoom manually and shoot wide open.

It’s useless on my 2006 Nikon D40, which simply shows an Error.

I tried it on my 1990s Nikon F5, and it autofocuses and stabilizes just fine, but it only shoots at f/2.8.

On my 2005 D2HS autofocus and VR work fine, but it only shoots at f/2.8 regardless of how you set the camera, so often you’ll get overexposure unless you shoot in A or M mode and set f/2.8.

Autofocus, VR and the diaphragm don’t work on my 1980s Nikon F4. I’d have to focus manually, lose VR and have to shoot at f/2.8.

YES: As of January 2018,  should work only on the:

D5, D4, D4s, D3, D3s, D3P, D3x, Df, 

D850, D810, D800/e, D750, D700, D610, D600, 

D500, D300, D300s, 

D7000, D7100, D7200, D7500, 

D5600, D5500, D5300, D5200, D5100, D5000, 

D3400, D3300, D3200, D3100,

Nikon 1 J1, J2, J3, J4 with FT-1, Nikon 1 V1, V2, V3 with FT-1, and Nikon 1 S1, S2 with FT-1.

NO: lenses will not work on the 

D1 or D2 series,

D100, D200, D90, D80, D70 series, 

D60, D50, D40 series, or the D3000, and will not work on any . The diaphragm will stay wide-open, which may or may not be a problem for you. In the case of tele lenses this isn’t much of a problem because we usually shoot long lenses wide-open, in which case these lenses are compatible with everything.

This won’t work with any of the Pronea cameras either— but who cares?

See for more. Honestly half of Nikon’s current catalog of lenses won’t work on half their new cameras today, so I don’t know that this lens will have any more problems than any other Nikon lens. Just be sure to buy only from an so you’ll have the option of a 100% cash refund return if it just doesn’t work on your camera. Nikon isn’t Canon that takes one sentence to say «Compatible with everything since 1987;» Nikon is a patchwork of shame today when it comes to compatibility.

Sony

There is no Sony version.

Don’t waste your time with adapters to Sony; you’re really asking for trouble.

For Sony, get the 24-105mm f/4 G or 24-70/2.8 G, either of which are superior to this lens.

Full-Frame VC G2 2017-

Tamron 24-70mm f/2.8 VC G2 (82mm filters, 31.7 oz./898g, 1.25’/0.38m close focus, about $1,199) bigger. I got my Nikon version at B&H. I’d also get the Nikon version at Adorama or at Amazon. There is a Canon version at B&H, which I’d also get at Adorama or at Amazon.

This ad-free websites biggest source of support is when you use those or any of when you get anything, regardless of the country in which you live. Tamron does not seal its boxes in any way, so never buy at retail or any other source not on since you’ll have no way of knowing if you’re missing accessories, getting a defective, damaged, returned, , store demo or used lens. Get yours only from the for the best prices, service, return policies and selection. Thanks for helping me help you! Ken.

April 2018    Canon   Sony   Nikon   Tamron   Fuji   LEICA   Zeiss   Hasselblad   all reviews

Nikon 24-70mm f/2.8 VR FX (check price)

Nikon 24-70mm f/2.8 G FX (check price)

Canon 24-70mm f/2.8 L II (check price)

Canon 24-70mm f/2.8 L (get it used)

Canon 24-70mm f/4 L IS (check price)

Introduction

B&H Photo — Video — Pro Audio

I buy only from . I can’t vouch for below.

This Image-Stabilized Tamron 24-70mm f/2.8 is half the price of Canon or Nikon and works great. Feel free to read the rest of this review, but for all practical purposes this lens takes the same pictures as the Canon or Nikon lenses, with the gotcha that there are no lens profiles so you’ll have no option for automatic in-camera distortion correction, and on Canon only there will be no correction of lateral color fringes or corner falloff (Nikons correct lateral color and falloff with any lens, no profile needed).

Look at my ; they’re super-sharp. If an extra thousand dollars in your pocket matters to you, by all means consider this lens instead of the Canon or Nikon lens. What you lose isn’t so much picture quality as the potential for the camera you buy ten years from now not working with this lens, but if you’re considering this lens today you’re probably not worried about ten or twenty years from now.

Just grab the genuine mechanical focus ring at any time for instant manual-focus override.

Good

Sharp.

Half the price of Canon or Nikon’s similar lenses with about the same performance.

Fast and nearly silent autofocus.

Great stabilization.

Missing

No lens profiles for in-camera corrections. Nikons can correct any lens for lateral chromatic aberrations and falloff without a profile, but Canon can’t correct these without a profile. No camera can correct this lens’ distortion without a profile — and neither Canon nor Nikon are going to offer profiles for a Tamron lens.

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VC/USD Synthetic Genel Bakış

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İşbu sözleşmenin aslı İngilizcedir ve İngilizce ve Türkçe versiyonu arasında tutarsızlık olduğunda İngilizce versiyonu dikkate alınacaktır

Tamron SP 24-70mm F2.8 Di VC USD G2 Introduction

The Tamron SP 24-70mm F/2.8 Di VC USD G2 is a second-generation standard telephoto zoom lens for Canon and Nikon full-frame DSLR cameras. This lens features a constant aperture of f/2.8 throughout the range, improved Vibration Compensation (VC) technology, a minimum focus distance of 0.38m, an ultrasonic focus motor for quiet and fast AF operation, and a moisture-sealed construction. The optical formula comprises 17 elements in 12 groups, including 2 XR (Extra Refractive Index) elements, 3 LD (Low Dispersion) elements, 3 GM (Glass-Molded aspherical) and one hybrid aspherical lens element, and an iris diaphragm with nine rounded aperture blades. The Tamron SP 24-70mm F/2.8 Di VC USD G2 lens officially retails for £1349 / $1299 in the UK and USA respectively.

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VC/USD Synthetic Overview

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Sample Images

All these images are from BASIC JPGs; no RAW files, NORMAL or FINE JPGs were used.

Curtis P-40 Warhawk, Palm Springs, 10 April 2018. Nikon D850, Tamron 24-70mm f/2.8 G2 at 45mm at f/2.8 at 1/25 at Auto ISO 280, exactly as shot. bigger or camera-original file.

Sharp enough for you? Hand-held at 1/25 of a second wide-open at f/2.8 you can still see every layer of paint and the details in the wear on every screw head in this 1,200 × 900 pixel crop from the above 45MP image:

1,200 × 900 pixel crop from above. bigger or camera-original file.

If this is about 6″ (15cm) wide on your screen, the complete image would print at a huge 27½″ × 41¼″ (70 × 105 cm) at this same high magnification. If this is about 12″ (30cm) wide on your screen, the complete image would print at an insane 55 × 82½″ (1.4 × 2.1 meters) at this same extremely high magnification!

Real Estate Listing Photo, 09 April 2018. Nikon D850, Tamron 24-70mm f/2.8 G2 at 24mm at f/13 at 1/160 at Auto ISO 100, Perfectly Clear. bigger or full-resolution file.

Pretty darn sharp. If you look at the full-resolution file you’ll see that the trees on the top left are softer; that’s because the focus is on the roses up front and those distant trees are simply out of focus. The other three corners are spectacularly sharp.

Katie and Sofie at lunch at Stuft Pizza, 11 April 2018 (focused on Sofie the dog). Nikon D850, Tamron 24-70mm f/2.8 G2 at 24mm at f/2.8 at 1/125 at Auto ISO 220, Perfectly Clear. bigger or full-resolution file to explore on your computer.

The only thing in focus is the puppy; everything else is supposed to be out of focus.

«R» Signal Flag, 10 April 2018. Nikon D850, Tamron 24-70mm f/2.8 G2 at 48mm at f/2.8 at 1/25 at Auto ISO 160, Perfectly Clear. bigger or camera-original   file.

It’s sharp enough to count every single thread in this flag and its backdrop, hand-held at 1/25 of a second wide-open at f/2.8! Look at the camera-original   file on your computer and count them yourself. Sharp enough?

Bentley at f/2.8, 11 April 2018. Nikon D850, Tamron 24-70mm f/2.8 G2 at 70mm at f/2.8 at 1/1,000 at Auto ISO 64, Perfectly Clear. bigger or full-resolution file.

Of course only the grille and headlights are in focus at f/2.8.

Bentley at f/11, 11 April 2018. Nikon D850, Tamron 24-70mm f/2.8 G2 at 70mm at f/11 at 1/40 at Auto ISO 64, Perfectly Clear. bigger or full-resolution file.

Stabilization makes it trivial to get ultrasharp results handheld at 1/40 at 70mm; no tripod needed.

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VC/USD Synthetic Genel Bakış

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Feragat: Fusion Media sitede yer alan bilgilerin gerçek zamanlı ya da isabetli olacağının mutlak olmadığını hatırlatır. Tüm borsa fiyatları, endeksler, vadeli işlemler, kripto paralar ve döviz fiyatları, borsalardan değil piyasa düzenleyicileri tarafından oluşturulur, bu sebeple fiyatlar isabetli olmayabilir ve gerçek piyasa fiyatlarından farklı olabilir, bu da buradaki fiyatların fikir verme amaçlı olduğunu ve ticari amaçlar için uygun olmadığını gösterir. Bu yüzden Fusion Media buradaki bilgileri kullanmanız sonucu oluşacak olası kayıplarınızdan ötürü sorumluluk taşımamaktadır.

Fusion Media, bu sitede yer alan herhangi bir bilgi, tablo veya alım/satım sinyali sonucu oluşan zararlarınızdan sorumlu değildir. Lütfen finansal piyasalardaki ticari riskler ve maliyetler konusunda tam bilgi edininiz çünkü bu platform en riskli yatırım biçimlerinden birisidir.

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VC/USD Synthetic Genel Bakış

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Feragat: Fusion Media sitede yer alan bilgilerin gerçek zamanlı ya da isabetli olacağının mutlak olmadığını hatırlatır. Tüm borsa fiyatları, endeksler, vadeli işlemler, kripto paralar ve döviz fiyatları, borsalardan değil piyasa düzenleyicileri tarafından oluşturulur, bu sebeple fiyatlar isabetli olmayabilir ve gerçek piyasa fiyatlarından farklı olabilir, bu da buradaki fiyatların fikir verme amaçlı olduğunu ve ticari amaçlar için uygun olmadığını gösterir. Bu yüzden Fusion Media buradaki bilgileri kullanmanız sonucu oluşacak olası kayıplarınızdan ötürü sorumluluk taşımamaktadır.

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