Leica V-Lux Typ 114
Содержание
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder.
However, the one in the V-LUX Typ 114 offers a substantially higher resolution than the one in the V-LUX 4 (2359k vs 1312k dots). The adjacent table lists some of the other core features of the Leica V-LUX 4 and Leica V-LUX Typ 114 along with similar information for a selection of comparators.
| Camera Model | Viewfinder (Type or ‘000 dots) | Control Panel (yes/no) | LCD Size (inch) | LCD Resolution (‘000 dots) | LCD Attach- ment | Touch Screen (yes/no) | Mech Shutter Speed | Shutter Flaps (1/sec) | Built-in Flash (yes/no) | Built-in Image Stab | Camera Model | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Leica V-LUX 4 | 1312 | n | 3.0 | 460 | swivel | n | 1/4000s | 12.0 | Y | Y | Leica V-LUX 4 | |
| Leica V-LUX Typ 114 | 2359 | n | 3.0 | 921 | swivel | n | 1/4000s | 12.0 | Y | Y | Leica V-LUX Typ 114 | |
| Canon G1 X Mark II | — | n | 3.0 | 1040 | tilting | Y | 1/4000s | 5.2 | Y | Y | Canon G1 X Mark II | |
| Canon G1 X | optical | n | 3.0 | 922 | Swivel | n | 1/4000s | 1.9 | Y | Y | Canon G1 X | |
| Canon SX50 | 202 | n | 3.0 | 461 | swivel | n | 1/2000s | 2.2 | Y | Y | Canon SX50 | |
| Leica V-LUX 5 | 2360 | n | 3.0 | 1240 | swivel | Y | 1/4000s | 12.0 | Y | Y | Leica V-LUX 5 | |
| Leica Q Typ 116 | 3680 | n | 3.0 | 1040 | fixed | Y | 1/2000s | 10.0 | n | Y | Leica Q Typ 116 | |
| Leica X Vario | — | n | 3.0 | 920 | fixed | n | 1/2000s | 5.0 | Y | n | Leica X Vario | |
| Leica D-LUX 6 | — | n | 3.0 | 920 | fixed | n | 1/4000s | 11.0 | Y | Y | Leica D-LUX 6 | |
| Leica V-LUX 3 | 202 | n | 3.0 | 460 | swivel | n | 1/2000s | 12.0 | Y | Y | Leica V-LUX 3 | |
| Leica V-LUX 2 | 202 | n | 3.0 | 460 | swivel | n | 1/2000s | 11.0 | Y | Y | Leica V-LUX 2 | |
| Panasonic FZ1000 | 2359 | n | 3.0 | 921 | swivel | n | 1/4000s | 12.0 | Y | Y | Panasonic FZ1000 | |
| Panasonic FZ200 | 1312 | n | 3.0 | 460 | swivel | n | 1/4000s | 12.0 | Y | Y | Panasonic FZ200 | |
| Panasonic FZ150 | 202 | n | 3.0 | 460 | swivel | n | 1/2000s | 12.0 | Y | Y | Panasonic FZ150 | |
| Sony RX10 II | 2359 | Y | 3.0 | 1229 | tilting | n | 1/3200s | 14.0 | Y | Y | Sony RX10 II | |
| Sony RX10 | 1440 | Y | 3.0 | 1229 | tilting | n | 1/3200s | 10.0 | Y | Y | Sony RX10 |
screen that can be turned to be front-facing
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while
others have an electronic shutter in addition to a mechanical one. In fact, the V-LUX Typ 114 is one of those camera that have an additional
electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of ) or
shooting under artificial light sources (risk of ).
The Leica V-LUX Typ 114 has an intervalometer built-in. This enables the photographer to
capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the V-LUX 4 and the V-LUX Typ 114 have zoom lenses built in. The V-LUX 4 has a 25-600mm f/2.8-2.8 optic and the V-LUX Typ 114 offers a 25-400mm f/2.8-4.0 (focal lengths in full frame equivalent terms). Hence, the V-LUX 4 and V-LUX Typ 114 provide the same view at the wide-angle end, but the V-LUX Typ 114 has less tele-photo reach at the long end. Both cameras offer the same maximum aperture.
Concerning the storage of imaging data, both the V-LUX 4 and the V-LUX Typ 114 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Specifications Leica V-LUX 4 vs Leica V-LUX Typ 114
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Leica V-LUX 4 | Leica V-LUX Typ 114 |
|---|---|---|
| Camera Type | Fixed lens compact camera | Fixed lens compact camera |
| Camera Lens | 25-600mm f/2.8 | 25-400mm f/2.8-4.0 |
| Launch Date | September 2012 | September 2014 |
| Launch Price | USD 949 | USD 1349 |
| Sensor Specs | Leica V-LUX 4 | Leica V-LUX Typ 114 |
| Sensor Technology | BSI-CMOS | CMOS |
| Sensor Format | 1/2.3″ Sensor | 1″ Sensor |
| Sensor Size | 6.17 x 4.55 mm | 13.2 x 8.8 mm |
| Sensor Area | 28.0735 mm2 | 116.16 mm2 |
| Sensor Diagonal | 7.7 mm | 15.9 mm |
| Crop Factor | 5.6x | 2.7x |
| Sensor Resolution | 12 Megapixels | 20 Megapixels |
| Image Resolution | 4000 x 3000 pixels | 5472 x 3648 pixels |
| Pixel Pitch | 1.53 μm | 2.41 μm |
| Pixel Density | 42.74 MP/cm2 | 17.18 MP/cm2 |
| Moiré control | no AA filter | Anti-Alias filter |
| Movie Capability | 1080/60p Video | 4K/30p Video |
| ISO Setting | 100-3200 ISO | 125-12800 ISO |
| ISO Boost | 100-6400 ISO | 80-25600 ISO |
| Screen Specs | Leica V-LUX 4 | Leica V-LUX Typ 114 |
| Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
| Viewfinder Field of View | 100% | 100% |
| Viewfinder Magnification | 0.46x | 0.70x |
| Viewfinder Resolution | 1312k dots | 2359k dots |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.0 inch | 3.0 inch |
| LCD Resolution | 460k dots | 921k dots |
| LCD Attachment | Swivel screen | Swivel screen |
| Shooting Specs | Leica V-LUX 4 | Leica V-LUX Typ 114 |
| Autofocus System | Contrast-detect AF | Contrast-detect AF |
| Manual Focusing Aid | No Peaking Feature | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/4000/s | 1/4000/s |
| Continuous Shooting | 12 shutter flaps/s | 12 shutter flaps/s |
| Electronic Shutter | no E-Shutter | up to 1/16000s |
| Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
| Fill Flash | Build-in Flash | Build-in Flash |
| Storage Medium | SDXC cards | SDXC cards |
| Second Storage Option | Single card slot | Single card slot |
| UHS card support | UHS-I | UHS-I |
| Connectivity Specs | Leica V-LUX 4 | Leica V-LUX Typ 114 |
| External Flash | Hotshoe | Hotshoe |
| USB Connector | USB 2.0 | USB 2.0 |
| HDMI Port | mini HDMI | micro HDMI |
| Microphone Port | External MIC port | External MIC port |
| Wifi Support | no Wifi | Wifi built-in |
| Near-Field Communication | no NFC | NFC built-in |
| Body Specs | Leica V-LUX 4 | Leica V-LUX Typ 114 |
| Battery Type | BP-DC12 | BP-DC12 |
| Battery Life (CIPA) | 540 shots per charge | 360 shots per charge |
| Body Dimensions |
125 x 87 x 110 mm (4.9 x 3.4 x 4.3 in) |
137 x 99 x 131 mm (5.4 x 3.9 x 5.2 in) |
| Camera Weight | 588 g (20.7 oz) | 830 g (29.3 oz) |
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Introduction
The Leica V-Lux (Typ 114) is a new superzoom bridge camera with a larger than average 1”, 20.1MP sensor and a maximum sensitivity of ISO25,000. Its 16x optical zoom range translates to a relatively modest 25-400mm (in 35mm camera terms), but you do get an unusually large f/2.8 maximum wide-angle aperture, shrinking to a respectable f/4 at the telephoto end of the zoom. The V-Lux (Typ 114) also comes with a 2,359k-dot OLED electronic viewfinder, as well as a 3”, 921k-dot flip-out LCD monitor. It’s not short on extra features either, boasting 4K UltraHD and 100fps FullHD video recording, RAW capture, 12fps continuous shooting and Wi-Fi connectivity with NFC pairing. Leica bundles the camera with a full copy of Adobe Lightroom to help organise and edit your images, plus you get a three year warranty. All this doesn’t come cheap though, as the new V-Lux (Typ 114) will set you back around £925/$1350.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider , and richer than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica V-LUX 4 features a 1/2.3-inch sensor and the Leica V-LUX Typ 114
an one-inch sensor. The sensor area in the V-LUX Typ 114 is 314 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.7. The sensor in the V-LUX 4 has a native 4:3 aspect ratio, while the one in the V-LUX Typ 114 offers a 3:2 aspect.
With 20MP, the V-LUX Typ 114 offers a higher
resolution than the V-LUX 4 (12MP), but the V-LUX Typ 114 nevertheless has larger individual pixels ( of
2.41μm versus 1.53μm for the V-LUX 4) due to its larger sensor. Moreover, the V-LUX Typ 114 is a somewhat more recent model (by 1 year and 11 months) than the V-LUX 4, and its sensor
might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the V-LUX 4 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Leica V-LUX Typ 114 implies greater flexibility for cropping images or the
possibility to print larger pictures. The maximum print size of the V-LUX Typ 114 for good quality output (200 dots per inch)
amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for
excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Leica V-LUX 4 are
20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for
excellent quality prints.
The Leica V-LUX 4 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400.
The corresponding ISO settings for the Leica V-LUX (Typ 114) are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity («DXO Sports»), dynamic range («DXO Landscape»), and color depth («DXO Portrait»). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| Camera Model | Sensor Class | Resolution (MP) | Horiz. Pixels | Vert. Pixels | Video Format | DXO Portrait | DXO Landscape | DXO Sports | DXO Overall | Camera Model | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Leica V-LUX 4 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | — | — | — | — | Leica V-LUX 4 | |
| Leica V-LUX Typ 114 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | — | — | — | — | Leica V-LUX Typ 114 | |
| Canon G1 X Mark II | 1.5-inch | 13.0 | 4160 | 3120 | 1080/30p | 21.5 | 10.8 | 581 | 58 | Canon G1 X Mark II | |
| Canon G1 X | 1.5-inch | 14.2 | 4352 | 3264 | 1080/24p | 21.7 | 10.8 | 644 | 60 | Canon G1 X | |
| Canon SX50 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/24p | 20.3 | 11.2 | 179 | 47 | Canon SX50 | |
| Leica V-LUX 5 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | — | — | — | — | Leica V-LUX 5 | |
| Leica Q Typ 116 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.3 | 12.7 | 2221 | 85 | Leica Q Typ 116 | |
| Leica X Vario | APS-C | 16.1 | 4928 | 3272 | 1080/30p | 23.4 | 12.7 | 1320 | 78 | Leica X Vario | |
| Leica D-LUX 6 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | — | — | — | — | Leica D-LUX 6 | |
| Leica V-LUX 3 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | — | — | — | — | Leica V-LUX 3 | |
| Leica V-LUX 2 | 1/2.3 | 14.0 | 4320 | 3240 | 1080/60i | — | — | — | — | Leica V-LUX 2 | |
| Panasonic FZ1000 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 11.7 | 517 | 64 | Panasonic FZ1000 | |
| Panasonic FZ200 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.1 | 10.8 | 114 | 37 | Panasonic FZ200 | |
| Panasonic FZ150 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.4 | 10.9 | 132 | 40 | Panasonic FZ150 | |
| Sony RX10 II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 23.0 | 12.6 | 531 | 70 | Sony RX10 II | |
| Sony RX10 | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 22.9 | 12.6 | 474 | 69 | Sony RX10 |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the V-LUX Typ 114 provides a better video resolution than the V-LUX 4. It can shoot movie footage at 4K/30p, while the V-LUX 4 is limited to 1080/60p.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Leica V-LUX 4 and the Leica V-LUX Typ 114? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Leica V-LUX 4:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor’s full resolution potential.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More compact: Is smaller (125x87mm vs 137x99mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 242g or 29 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (540 versus 360) on a single battery charge.
- More affordable: Was introduced into a lower priced category (30 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in September 2012).
Arguments in favor of the Leica V-LUX (Typ 114):
- More detail: Has more megapixels (20 vs 12MP), which boosts linear resolution by 32%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (2359k vs 1312k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.46x).
- More detailed LCD: Has a higher resolution rear screen (921k vs 460k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Was introduced somewhat (1 year and 11 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the V-LUX Typ 114 is the clear winner of the contest (15 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges
from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera
is best and worth buying is often a very personal one.
V-LUX 4 0715 V-LUX Typ 114
How about other alternatives? Do the specifications of the Leica V-LUX 4 and the Leica V-LUX Typ 114 place the cameras among the top in their class? Find out in the latest
Best Superzoom Camera listing whether the two cameras rank among the cream of the crop.
Conclusion
Recently the bridge camera sector has become a key battleground for manufacturers trying to carve a niche distinct from smartphones. Now that the latter can boast comparable image quality and pixel counts, cramming upwards of 60x optical zoom into a camera has been a marketing miracle. But, like the ever-increasing megapixel counts in compact cameras a few years ago, more doesn’t always mean better. Leica/Panasonic should be applauded for producing a camera that bucks this trend in favour of image quality. Losing some zoom reach may impact a few shots, but the improved sharpness, colour reproduction, dynamic range and reduced noise levels that the V-Lux (Typ 114)’s 1” sensor provides compared to a 1/2.3” device is noticeable in every shot.
And it’s not just image quality that sets the V-Lux apart. It’s also a pleasure to use thanks to a superb level of customisable control that can put an entry-level DSLR to shame, plus an electronic viewfinder that’s a genuine alternative to the LCD monitor, not just a token gesture. This all helps make the camera appeal to enthusiasts, but stick it in Auto mode and the V-Lux (Typ 114)’s superb autofocus and accurate exposure metering make it a completely dependable point-and-shoot companion. Its varied selection of Creative Control filters will also indulge your creative side, and if you’d rather do the post processing, then RAW capture is another plus point. Having 4K video recording may currently be less important, but it will become the new video standard, so even if you don’t yet have a TV or computer monitor with a 4K resolution, it’s nice to know your camera is future-proofed.
In short, the V-Lux (Typ 114) is a terrific camera. It manages to offer image quality to rival a compact system camera, but with a single, wide-aperture lens capable of a highly versatile focal range. Its main rival is Sony’s DSC-RX10, but the V-Lux’s zoom range is nearly double that of the Sony’s. That just leaves it to contend with the Panasonic DMC-FZ1000, which, at £750, undercuts the Leica by around £175, yet is essentially the same camera. However, it’s not quite that simple. Leica bundles the V-Lux with Adobe Lightroom, which at the time of writing will set you back £102.57 for a standalone licence. This closes the price gap to just under £75, but remember that the V-Lux also comes with a three year warranty, compared to Panasonic’s one year protection for the FZ1000. Given that many camera retailers will charge more than that for an extended warranty, the V-Lux actually makes good financial sense, should you want added peace of mind and not already own Lightroom.
The V-Lux (Typ 114) is far from cheap, and the only thing that comes close to the size of its price tag is its sheer bulk. Yet this needn’t be a big worry if you’re after a bridge camera, as they’re all rather podgy. The price is harder to shrug off, but you’ll have a tough job finding a fixed lens camera that offers such an accomplished blend of versatility, performance and image quality for less money. If you can afford a V-Lux Typ 114, you won’t be disappointed.

| Ratings (out of 5) | |
|---|---|
| Design | 5 |
| Features | 5 |
| Ease-of-use | 4.5 |
| Image quality | 5 |
| Value for money | 4.5 |
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Характеристики и результаты тестирования Leica V-Lux 3
| Соотношение цена/качество |
|
| Тип камеры | |
| Максимальное разрешение | |
| Макс. разрешение фото | |
| Макс. разрешение видео | |
| Дисплей: диагональ | |
| Дисплей: разрешение | |
| Дисплей: поворотный | |
| Дисплей: регулировка яркости | |
| Матрица: тип | |
| Матрица: размер | |
| Оптический зум | |
| Минимальное фокусное расстояние | |
| Максимальное фокусное расстояние | |
| Оптический стабилизатор изображения | |
| Диафрагма объектива (Широкий угол — Теле) | |
| Режимы съемки | |
| Панорамный режим съемки | |
| Минимальная выдержка (авто) | |
| Максимальная выдержка (авто) | |
| Минимальная светочувствительность (ISO мин) | |
| Максимальная светочувствительность (ISO макс) | |
| Баланс белого | |
| Разрешение по центру при ISO мин | |
| Разрешение по краям при ISO мин | |
| Разрешение по центру при ISO 400 | |
| Разрешение по краям при ISO 400 | |
| Разрешение по центру при ISO 800 | |
| Разрешение по краям при ISO 800 | |
| Разрешение по центру при ISO 1600 | |
| Разрешение по краям при ISO 1600 | |
| Точность передачи текстуры (Kurtosis) / деталей (Dead Leaves) при ISO мин | |
| Точность передачи текстуры (Kurtosis) / деталей (Dead Leaves) при ISO 400 | |
| Точность передачи текстуры (Kurtosis) / деталей (Dead Leaves) при ISO 800 | |
| Точность передачи текстуры (Kurtosis) / деталей (Dead Leaves) при ISO 1600 | |
| Экспертная оценка: детализация при ISO мин | |
| Экспертная оценка: детализация при ISO 400 | |
| Экспертная оценка: детализация при ISO 800 | |
| Экспертная оценка: детализация при ISO 1600 | |
| Шумность при ISO мин | |
| Шумность при ISO 400 | |
| Шумность при ISO 800 | |
| Шумность при ISO 1600 | |
| Макс. хроматическая аберрация (Широкий угол / теле) | |
| Виньетирование (Широкий угол / теле) | |
| Искажения (Широкий угол / теле) | |
| Форматы изображений | |
| Время включения (до получения первого фото) | |
| Задержка спуска затвора в широкоугольном положении (с автофокусом) | |
| Задержка спуска затвора в телефото (с автофокусом) | |
| Пауза между двумя последовательными кадрами | |
| Скорость серийной съемки в JPEG | |
| Максимальная длина серии в JPEG | |
| Название аккумулятора | |
| Стоимость аккумулятора | |
| Фото на одной зарядке аккумулятора | |
| Видео: макс. время записи на одном заряде аккумулятора | |
| Видео: контейнер | |
| Видео: кодеки | |
| Видео: максимальная длина ролика | |
| Поддерживаемые карты памяти | |
| Встроенный накопитель | |
| Горячий башмак | |
| Приемник GPS | |
| Датчик ориентации | |
| Водонепроницаемый корпус | |
| Габариты | |
| Вес |
Leica V-Lux 5
Номер заказа: 19120
| Lens | Leica DC Vario-Elmarit f/2.8–4/9.1 -146 ASPH., 35 mm camera equivalent: 25 — 400 mm 15 elements in 11 groups (5 aspherical lenses/8 aspherical surfaces/4 ED lenses) |
| Optical Image stabilization | Yes |
| Zoom Optical/digital/ intelligent | 16 x/4 x/32 x |
| Focusing | |
|---|---|
| Modes | Normal/macro |
| AF Metering modes | Face, eye detection, tracking, 49-area, 1-area (flexible/scalable), custom multi, pinpoint |
| Focusing range | |
|---|---|
| AF | 30 cm/1’ (at 9.1 mm)/1m/3’3” (at 146 mm) to ∞ |
| AF macro/MF/ shnapshot | 3 cm/1 3/16“ (at 9.1 mm)/1m/3’3” (at 146 mm) to ∞ |
| Sensor | 1“ MOS with 20.9 MP (effective pixels 20.1MP) |
| Resolution | |
|---|---|
| Still image | 4:3 format: 4864 × 3648 (17.5 M) (L), 3456 × 2592 (9 M) (M), 2432 × 1824 (4.5 M) (S) 3:2 format: 5472 × 3648 (20 M) (L), 3888 × 2592 (10 M) (M),2736 × 1824 (5 M) (S) 16:9 format: 5472 × 3080 (17 M) (L), 3840 × 2160 (8 M) (M), 1920 × 1080 (2 M) (S) 1:1 format: 3648 × 3648 (13.5 M) (L), 2592 × 2592 (6.5 M) (M), 1824 × 1824 (3.5 M) (S) |
| Video | MP4: 3840 x 2160 4K/30p: 100 Mbit/s 3840 x 2160 4K/24p: 100 Mbit/s 1920×1080 FHD/60p: 28 Mbit/s 1920×1080 FHD/30p: 20 Mbit/s 1280 x 720 HD/30p: 10 Mbit/s |
| Recording file formats | |
|---|---|
| Still image | RAW/JPEG |
| Video | MP4. Recording time: max. 29:00 minutes |
| Audio | AAC (2 Kanal) |
| Exposure control | |
|---|---|
| Exposure modes | Snap Shot, P, A, S, M, creative video, C1 (custom), C2 (custom), scene guide, creative control |
| Exposure compensation | Increments: 1/3 EV steps, setting range: ± 5 EV. (+/-3 EV for motion picture) |
| Auto AE Bracketing | 3, 5, 7 frames in 1/3, 2/3 or 1 EV step, max. ± 3 EV |
| Scene modes | Clear portrait, silky skin, backlit softness, clear in backlight, relaxing tone, sweet child‘s face, distinct scenery, bright blue sky, romantic sunset glow, vivid sunset glow, glistening water, clear nightscape, cool night sky, warm glowing nightscape, artistic aightscape, glittering illuminations, handheld night shot, clear night portrait, soft image of a flower, appetizing food, cute dessert, freeze animal motion, clear sports shot, monochrome, panorama |
| Creative control modes | Expressive, retro, old days, high key, low key, sepia, monochrome, dynamic monochrome, rough monochrome, silky monochrome, impressive art, high dynamic, cross process, toy effect, toy pop, bleach bypass, miniature effect, soft focus, fantasy, star filter, one point color, sunshine |
| Metering modes | Intelligent multiple, centre-weighted, spot |
| White balance | Auto, daylight, cloudy, shade, incandescent, flash, 4 manual settings, color temperature (2-axis adjustable) |
| ISO sensitivity | Auto/i. ISO/80, 100, 200, 400, 800, 1600, 3200, 6400, 12500, 25000* (*extended ISO) (Changeable to 1/3 EV step) |
| Shutter speeds | |
|---|---|
| Still image | Approx. 60s – 1/4000 s (mechanical shutter), approx. 1 s — 1/16000 s (electronic shutter). Bulb: approx. 120 s. |
| Motion picture | Approx. 1/30 s – 1/16000 s (NTSC model), approx. 1/25 s -1/16000 s (PAL model), approx. 1/2 s -1/16000 s. (Creative video M mode/MF mode) |
| Continuous shooting | SH: 50 frames/sec*, H: 12 frames/s, M: 7 frames/s (with Live View), L: 2 frames/s (with Live View.) (*Electronic shutter only) |
| Flash | |
|---|---|
| Type | Integrated flash |
| Flash modes | Auto, Auto with pre-flash (red-eye reduction), Auto with slow sync and pre-flash, on, off |
| Flash range | 30 cm – 13.5 m (Wide/ISO Auto), 1.0 – 9.5 m (Tele/ISO Auto) |
| Self-timer | 2 s/10s/10 s (3 images) |
| Monitor | 3.0“ TFT LCD, resolution: approx. 1,240,000 pixels, Image field: approx. 100%, aspect ratio 3:2, Touch screen available |
| Viewfinder | 0.39“ OLED live viewfinder Resolution: approx. 2,360,000 pixels, Image field: approx. 100%, aspect ratio 4:3, Diopter setting: -4 to +4 dptr, Magnification: approx. 0.74x with 50mm lens at ∞; -1.0m-1 |
| Microphone/speaker | Stereo/monoaural |
| Memory cards | On SD / SDHC* /SDXC* memory cards, *UHS-I/UHS Speed class 3 |
| Interfaces | USB 2.0, Macro-HDMI (Typ C), AV-Ausgang, Netzgeräteanschluss (2,5 mm), Mikrofon (3,5 mm). WIFI: IEEE 802.11b/g/n/2412 MHz — 2462 MHz (1-11-Kanal)/WPA/WPA2/Infrastruktur Modus/WPS/ Wi-Fi Direct/Wi-Fi Taste Bluetooth-Version 4.2 (Bluetooth Low Energy (BLE) [USB/CHARGE] USB 2.0 (High Speed) Mikro-B-Buchse |
| Operating temperature/ humidity | 0 °C to 40 °C (32 °F to 104 °F) / 10% to 80% RH |
| Rechargeable lithium-ion battery | |
|---|---|
| Voltage/capacity | 7.2 V/1200 mAh (360 images, CIPA standard). |
| Dimensions (W x H x D) | approx. 136.7 x 97.2 x 131.5 mm |
| Weight | 812 g (with battery) |
| Printer compatibility | PictBridge, DPOF |
| Scope of delivery | Digital camera, battery, AC-Adapter, USB cable, neck strap, lens cap with string, lens hood, hot shoe cover, instructions, guarantee card |
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica V-LUX 4 and Leica V-LUX (Typ 114) and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| Camera Model | Hotshoe Port | Internal Microphone | Internal Speaker | Microphone Port | Headphone Port | HDMI Port | USB Type | WiFi Support | NFC Support | Bluetooth Support | Camera Model | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Leica V-LUX 4 | Y | stereo | mono | Y | — | mini | 2.0 | — | — | — | Leica V-LUX 4 | |
| Leica V-LUX Typ 114 | Y | stereo | mono | Y | — | micro | 2.0 | Y | Y | — | Leica V-LUX Typ 114 | |
| Canon G1 X Mark II | Y | stereo | mono | — | — | mini | 2.0 | Y | Y | — | Canon G1 X Mark II | |
| Canon G1 X | Y | stereo | mono | — | — | mini | 2.0 | — | — | — | Canon G1 X | |
| Canon SX50 | Y | stereo | mono | — | — | mini | 2.0 | — | — | — | Canon SX50 | |
| Leica V-LUX 5 | Y | stereo | mono | — | — | micro | 2.0 | Y | — | Y | Leica V-LUX 5 | |
| Leica Q Typ 116 | Y | stereo | mono | — | — | micro | 2.0 | Y | Y | — | Leica Q Typ 116 | |
| Leica X Vario | Y | stereo | mono | — | — | mini | 2.0 | — | — | — | Leica X Vario | |
| Leica D-LUX 6 | Y | stereo | mono | — | — | mini | 2.0 | — | — | — | Leica D-LUX 6 | |
| Leica V-LUX 3 | Y | stereo | — | — | — | mini | 2.0 | — | — | — | Leica V-LUX 3 | |
| Leica V-LUX 2 | Y | stereo | mono | — | — | mini | 2.0 | — | — | — | Leica V-LUX 2 | |
| Panasonic FZ1000 | Y | stereo | mono | Y | — | micro | 2.0 | Y | Y | — | Panasonic FZ1000 | |
| Panasonic FZ200 | Y | stereo | mono | Y | — | mini | 2.0 | — | — | — | Panasonic FZ200 | |
| Panasonic FZ150 | Y | stereo | — | — | — | mini | 2.0 | — | — | — | Panasonic FZ150 | |
| Sony RX10 II | Y | stereo | mono | Y | Y | micro | 2.0 | Y | Y | — | Sony RX10 II | |
| Sony RX10 | Y | stereo | mono | Y | Y | micro | 2.0 | Y | Y | — | Sony RX10 |
It is notable that the V-LUX Typ 114 offers wifi support, which can be a very convenient means to transfer image data
to an off-camera location. In contrast, the V-LUX 4 does not offer wifi capability.
Body comparison
An illustration of the physical size and weight of the Leica V-LUX 4 and the Leica V-LUX Typ 114 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size,
the Leica V-LUX Typ 114 is notably larger (25 percent) than the Leica V-LUX 4. Moreover, the V-LUX Typ 114 is substantially heavier (41 percent) than the V-LUX 4. In this context, it is worth noting that neither the V-LUX 4 nor the V-LUX Typ 114 are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left
arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and
make your selection from the full list of cameras there.
| Camera Model | Camera Width | Camera Height | Camera Depth | Camera Weight | Battery Life (CIPA) | Weather Sealing (yes/no) | Camera Launch (announced) | Launch Price (USD) | Street Price (USD) | Used Price (USD) | Camera Model | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Convert to Imperial | ||||||||||||
| Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders. | ||||||||||||
| Leica V-LUX 4 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Sep 2012 | 949 | — | Leica V-LUX 4 | ||
| Leica V-LUX Typ 114 | 137 mm | 99 mm | 131 mm | 830 g | 360 | n | Sep 2014 | 1,349 | — | Leica V-LUX Typ 114 | ||
| Canon G1 X Mark II | 116 mm | 74 mm | 66 mm | 553 g | 240 | n | Feb 2014 | 799 | Canon G1 X Mark II | |||
| Canon G1 X | 117 mm | 81 mm | 65 mm | 534 g | 250 | n | Jan 2012 | 799 | — | Canon G1 X | ||
| Canon SX50 | 123 mm | 87 mm | 106 mm | 595 g | 315 | n | Sep 2012 | 429 | — | Canon SX50 | ||
| Leica V-LUX 5 | 136 mm | 97 mm | 131 mm | 812 g | 350 | n | Jul 2019 | 1,249 | Leica V-LUX 5 | |||
| Leica Q Typ 116 | 130 mm | 80 mm | 93 mm | 640 g | 300 | n | Jun 2015 | 4,249 | — | Leica Q Typ 116 | ||
| Leica X Vario | 133 mm | 73 mm | 95 mm | 680 g | 450 | n | Jun 2013 | 2,850 | Leica X Vario | |||
| Leica D-LUX 6 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Sep 2012 | 699 | — | Leica D-LUX 6 | ||
| Leica V-LUX 3 | 124 mm | 81 mm | 95 mm | 540 g | 410 | n | Dec 2011 | 949 | — | Leica V-LUX 3 | ||
| Leica V-LUX 2 | 124 mm | 80 mm | 95 mm | 520 g | 410 | n | Sep 2010 | 849 | — | Leica V-LUX 2 | ||
| Panasonic FZ1000 | 137 mm | 99 mm | 131 mm | 831 g | 360 | n | Jun 2014 | 899 | — | Panasonic FZ1000 | ||
| Panasonic FZ200 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Jul 2012 | 599 | — | Panasonic FZ200 | ||
| Panasonic FZ150 | 124 mm | 82 mm | 92 mm | 528 g | 410 | n | Aug 2011 | 499 | — | Panasonic FZ150 | ||
| Sony RX10 II | 129 mm | 88 mm | 102 mm | 813 g | 400 | Y | Jun 2015 | 1,299 | — | Sony RX10 II | ||
| Sony RX10 | 129 mm | 88 mm | 102 mm | 813 g | 420 | Y | Oct 2013 | 1,299 | — | Sony RX10 |
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The V-LUX 4 was launched at a markedly lower price (by 30 percent) than the V-LUX Typ 114, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 30D vs Leica V-LUX Typ 114
- Canon R vs Leica V-LUX 4
- Canon R vs Leica V-LUX Typ 114
- Canon RP vs Leica V-LUX 4
- Canon RP vs Leica V-LUX Typ 114
- Canon Rebel vs Leica V-LUX 4
- Leica M Typ 262 vs Leica V-LUX 4
- Leica V-LUX 4 vs Pentax K-1 II
- Leica V-LUX 4 vs Samsung NX1
- Leica V-LUX 4 vs Sony A6500
- Leica V-LUX Typ 114 vs Olympus XZ-2
- Leica V-LUX Typ 114 vs Sony NEX-6
Expert reviews
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge,
reinforcing the earlier point that a camera decision is often a very personal choice.
| Camera Model | Camera Launch (announced) | Launch Price (USD) | Street Price (USD) | Used Price (USD) | Camera Model | ||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available. | |||||||||||
| Leica V-LUX 4 | — | — | — | — | — | Sep 2012 | 949 | — | Leica V-LUX 4 | ||
| Leica V-LUX Typ 114 | — | — | — | — | 5/5 | Sep 2014 | 1,349 | — | Leica V-LUX Typ 114 | ||
| Canon G1 X Mark II | + | 77/100 | 4/5 | 4/5 | 4.5/5 | Feb 2014 | 799 | Canon G1 X Mark II | |||
| Canon G1 X | + | 76/100 | 4/5 | 4/5 | 4.5/5 | Jan 2012 | 799 | — | Canon G1 X | ||
| Canon SX50 | + + | 72/100 | 4.5/5 | — | 4.5/5 | Sep 2012 | 429 | — | Canon SX50 | ||
| Leica V-LUX 5 | — | — | 4/5 | — | 4/5 | Jul 2019 | 1,249 | Leica V-LUX 5 | |||
| Leica Q Typ 116 | — | 80/100 | 4.5/5 | — | 4.5/5 | Jun 2015 | 4,249 | — | Leica Q Typ 116 | ||
| Leica X Vario | — | — | 4/5 | 4/5 | 4/5 | Jun 2013 | 2,850 | Leica X Vario | |||
| Leica D-LUX 6 | — | — | 4/5 | — | 4/5 | Sep 2012 | 699 | — | Leica D-LUX 6 | ||
| Leica V-LUX 3 | — | — | — | — | — | Dec 2011 | 949 | — | Leica V-LUX 3 | ||
| Leica V-LUX 2 | — | — | — | — | — | Sep 2010 | 849 | — | Leica V-LUX 2 | ||
| Panasonic FZ1000 | + + | 82/100 | 4.5/5 | 4.5/5 | 4.5/5 | Jun 2014 | 899 | — | Panasonic FZ1000 | ||
| Panasonic FZ200 | + + | 80/100 | 4.5/5 | 4.5/5 | 4.5/5 | Jul 2012 | 599 | — | Panasonic FZ200 | ||
| Panasonic FZ150 | + + | 76/100 | 4/5 | 5/5 | 4.5/5 | Aug 2011 | 499 | — | Panasonic FZ150 | ||
| Sony RX10 II | + + | 82/100 | 4.5/5 | 4.5/5 | 4/5 | Jun 2015 | 1,299 | — | Sony RX10 II | ||
| Sony RX10 | + | 80/100 | 4.5/5 | 4.5/5 | 4.5/5 | Oct 2013 | 1,299 | — | Sony RX10 |
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Leica V-LUX 4: Check Ebay offers
Leica V-LUX Typ 114: Check Ebay offers